Thursday 6 November 2014

Romance Opening Scene Analysis: Silver Linings Playbook

Romance Opening Analysis: Silver Linings Playbook


In the opening sequence we are introduced to the main character as this is usually done in a romance films. There is non-diegetic sound of the dialogue from the protagonist however we can’t see the character; this creates enigma for the audience, as the viewers are curious. We are able to see the back of the man - it seems likes he's having a conversation with someone but isn't shown by the camera which makes the audience curious about whom he's speaking to. The shot zooms approach the character slowly so the audience has more information about him.  The love theme introduced as dialogue suggests that he's having a relationship problem, which gives the audience more info about the main protagonist and what he’s going through. There is low-key light that suggests that he's vulnerable as he's facing away from the camera and it could relate to his relationship problems. He is then interrupted by a knock and a voice telling the character that the doctor is waiting which tells us that he’s seeking help but he seems stubborn and doesn’t immediately follow what the man says. Then the scene cuts and we're shown the surrounding of the character, he seems to be seeking professional help as it's affecting him mentally - the audience emphasizes with him because some may relate to his situation or had similar relationship problems.

The scene cuts into a medium shot of the table and the bed showing the protagonist perspective so he could be prepared before seeing the doctor. The camera zooms into a paper on the wall with the word "Excelsior" which means "higher" and "ever upward" in Latin but in his situation this could means that he should have courage because he will soon be able to get over his emotional roller-coaster. Whilst the camera zooms toward the word there is a non-diegetic music that sounds like a low pitched piano which gives it a mellow effect and the guitar is added to build up the atmosphere. The scene cuts into an extreme close up of his face and it pans around him then pauses into of his face - we are able to see the characters face however he doesn't have any expression and looks rather depressed. The character is now exposed to the viewer so they will have more knowledge of the main character. 

The camera moves away from him quickly so they audience don’t get emotionally attached to him as we feel sorry for him. In the next scene we can see his back view again as he runs down the stairs quickly then there is a close up the hand - he grabs an item from someone then we see that he's taking the medicine which treats his physical problems however soon after he walks away and he spits out the medication which shows that he can't be trusted as he does what he likes. The scene cut gradually moving into the circle so the audience can hear what he has to say. The camera slowly pans around the circle showing the people within the group allowing us to see that he is interacting with others: he’s talking which shows that he's comfortable around others. However the scene cuts which shows that he's exercising which implies that he's improving himself and seems much happier and focused alone, this is shown from the non-diegetic sound in the background. Then he is soon interrupted by a woman who standing there waiting for his attention, the music fades out to suggest that he isn’t happy about being disturbed. The camera turn into a high angle shot to suggest that she’s an important character because she looks down on him. 

The woman takes him with her and she seems to be having a conversation about him - the protagonist looks like a child when he follows her. There is a close up on the form to emphasize the he is being discharged from the hospital and she is in taking caring of him which informs the audience that it’s his mother. In the next scene a medium shot is used so we can see his rigid body language when he enters the car and his mother talks to him. However his expression soon changes when a man enters the car, he looks happier and relaxed, turning his body to face the man and begins to have a conversation.

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