Friday 19 December 2014

Research - Soundtrack

Malevolent Phantom
Soundtrack

The expression soundtrack generally refers to the music in a movie or television program, and to an album sold containing that specific music. Sometimes the music has been recorded just for the film, often but not always depending on the genre of the movie the soundtrack album will contain portions of the score, music made for dramatic effect s the movie's plot occurs. There are three different types:
- Musical film soundtrack (not relevant to our genre)
- Film scores (background music)
- Albums of pop songs heard in whole/part of non-musicals

All the different genres of film have different styles of soundtracks with different elements to them, I will analyse a few of the genres that we may pick for our film:


  • Action: usually include high energy, big budget physical stunts and chases, possibly with rescues, battles, fights, escapes, destructive crises (floods, explosions, natural disasters, fires etc.), non-stop motion, therefore a soundtrack with spectacular rhythm and pacing as well as being fast paced and having a high tempo would be suitable to carry the audience on this physical journey and to get them feeling energised like the characters. 
  • Comedy: usually light-hearted plots constantly and deliberately designed to amuse and provoke laughter by exaggerating the circumstances, the language, action, relationships and characters. For this genre the soundtrack should be more upbeat and happy to make the audience feel in a more positive mood, there shouldn't be any dramatic beats or sudden loud flashes as you don't want to make it over-serious or too scary that it turns away views. It should be a simple soundtrack that keeps the mood upbeat and shares the characters humor and joy with the audience.
  • Horror: designed to frighten and to invoke the audiences worst fears, repeatedly in a horrifying, scandalous finale while captivating and engaging the audience at the same time. From the screeching violins of Psycho to the crashing chords of Jaws, film-makers have long relied on disturbing soundtracks to heighten suspense and terror, therefore the soundtrack for this genre should have much more of a suspenseful element that draws in the audience and keeps them anxious and on the edge of their seat at all times. At less eventful moments it can be more subtle and slower but it should constantly climb and build to a moment of terror with increased tempo and volume. Loud bangs and harsh, discordant and unexpected sounds should make the audience jump and heighten their fear whilst watching the film. It's scientifically proven that he "non-linear" sounds, often created by pushing brass and wind instruments beyond their natural range by playing them too hard, exploits the human brain's natural aversion to sonics that signal fear or distress. (Noise is associated with horror and fear), abrupt frequency shifts are associated with sad dramatic scenes. To use this to my advantage I will include high pitch 'non linear' sounds to tap into humans primal fear and make the audience even more scared.

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